This is a little white paper sort of thing with two purposes. It clarifies and corrects some ideas people have about "detuned", and contains a little test I did on a minimal detuned design. The first part was written mostly for those on guitar forums I frequent, as they tend to run on repeated buzzwords rather than numbers. Feel free to skip that if you like. I just thought the testing on the design would be of interest here.
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Speakers, or more accurately, the drivers (which along with an enclosure make up a speaker) have physical and acoustic characteristics according to their design and construction. These characteristics can be used to determine how and what size of an enclosure will produce a desired result, such a flat response, accentuated bass response, etc. When a speaker is constructed according to these parameters, with an internal volume that best produces the desired result, it is considered to be “tuned”. The simplest of these is an entirely closed enclosure. Some designs call for a small opening called a vent, usually with a tube that extends into the enclosure. This is called a tuned port. In both this design, and the previous, the tuning depends on matching the internal volume to the characteristics of the drivers. The wrong size of enclosure, the wrong size port, or replacing one of more drivers from a tuned speaker with one or more with different characteristics results in a poorly tuned speaker.
Some speakers, particularly those in guitar “combo” amplifiers (combined amplifier and speaker) are open in back. The back side of the drivers are open to the air. The internal volume effectively becomes infinite. Such a design has no tuning involved, and is considered “detuned”. Although there is no optimization of the speaker involved, in a speaker of this type there is typically much control over the signal to make it sounds as desired, as well as being noticeably louder than other designs due to sound from the back side of the driver being able to freely escape the enclosure.
Some have come to consider that a guitar speaker enclosure with half the drivers removed (one of two, or two of four) to be detuned. This is only partially accurate. To be truly detuned, the area of opening to let the “rear” sound escape should be larger than that of the drivers. A 12” driver has an area of 113 square inches. To be truly detuned the back side must have an open area greater than this. The actual size of the enclosure is irrelevant, only the driver and the size of the open back matter. Too small a “rear” opening and there will be resonance effects, emphasizing some frequencies and dampening others.
The term “detuned” has also been used to describe a design with the “rear” opening being redirected by the enclosure towards the front, producing more volume being directed towards the listeners. If constructed with the proper opening size, this design is detuned, but detuned does not necessarily mean this redirection takes place. It's simply a very good idea, and is the basis for having half the driver mounting holes left open in a regular speaker.
Many very detailed detuned designs have been attempted, some with adequate reasoning, others simply a matter of convenience or taste. The fact is the design requires little more than the rear opening area being larger than the driver area. I attempted to produce a minimal detuned design as a proof of concept test of this point. The “enclosure” consisted solely of a 12” plastic bowl, a 12” x 24” x 1/2” sheet of “expanded metal” steel grating, and appropriate fasteners and wiring. The driver was an 8” GRS “BOFU” clone.
[See picture 1]
The driver was attached to the grill,
[See pictures 2 and 3]

which was then suspended from a horizontal bar by hooks made of stiff wire.
[As in picture 5]
The back was left open to the air, outdoors, to minimize reflected sound affecting measurements.
A 1kHz sine wave tone was generated by computer and amplified to 1 watt (measured as 2.8 volts in parallel with the 8 ohm driver impedance). The volume of the sound produced was measured with a hand held SPL meter held 1 meter away from the center of the driver, on axis, integrated over the 30 second duration of the tone.
The driver is rated at 91 dB for this measure. The measurement on this driver and configuration was 93 dB. This is well in keeping with the fact that manufacturers often state parameters conservatively in case a particular piece does not perform as well as intended. I have obtained slightly higher than stated response from these drivers in other tests.
The driver/grill assembly was then attached to the lip of the bowl. The driver was positioned off-center to minimize resonance effects. The 8” driver has a frontal area of 50 square inches, and the bowl 113 square inches. The difference, 63 square inches for the “rear” opening is approximately 25% greater than the driver's area.
This assembly was then hung in the same manner as for the first test.
[See pictures 4 and 5]

The same signal at the same power level was tested in the same manner. The response of the system in this detuned,
forward facing output was 101 dB. Both theoretical and measured increases in response for detuning a given speaker is 3 to 6 dB. I speculate that this greater improvement, nearly double the volume, was due to the use of an approximately hemispherical reflector held in close proximity and nearly surrounding the driver from the mounting flange down. (Driver depth, flange to bottom of magnet = 3.875”; bowl depth 4.5”).
In any case, I believe this demonstration (NOT an experiment – there are important differences) supports the concept of detuned enclosures for greater SPL output from a given driver configuration. Also, not only is a minimal rear enclosure space adequate, it may be beneficial if configured to produce greater response.
Questions welcomed: [email protected]
Snide remarks go to: [email protected]
Dr. Dennis McClain PhD
“I am a scientist, but I don't play one on TV.”
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Speakers, or more accurately, the drivers (which along with an enclosure make up a speaker) have physical and acoustic characteristics according to their design and construction. These characteristics can be used to determine how and what size of an enclosure will produce a desired result, such a flat response, accentuated bass response, etc. When a speaker is constructed according to these parameters, with an internal volume that best produces the desired result, it is considered to be “tuned”. The simplest of these is an entirely closed enclosure. Some designs call for a small opening called a vent, usually with a tube that extends into the enclosure. This is called a tuned port. In both this design, and the previous, the tuning depends on matching the internal volume to the characteristics of the drivers. The wrong size of enclosure, the wrong size port, or replacing one of more drivers from a tuned speaker with one or more with different characteristics results in a poorly tuned speaker.
Some speakers, particularly those in guitar “combo” amplifiers (combined amplifier and speaker) are open in back. The back side of the drivers are open to the air. The internal volume effectively becomes infinite. Such a design has no tuning involved, and is considered “detuned”. Although there is no optimization of the speaker involved, in a speaker of this type there is typically much control over the signal to make it sounds as desired, as well as being noticeably louder than other designs due to sound from the back side of the driver being able to freely escape the enclosure.
Some have come to consider that a guitar speaker enclosure with half the drivers removed (one of two, or two of four) to be detuned. This is only partially accurate. To be truly detuned, the area of opening to let the “rear” sound escape should be larger than that of the drivers. A 12” driver has an area of 113 square inches. To be truly detuned the back side must have an open area greater than this. The actual size of the enclosure is irrelevant, only the driver and the size of the open back matter. Too small a “rear” opening and there will be resonance effects, emphasizing some frequencies and dampening others.
The term “detuned” has also been used to describe a design with the “rear” opening being redirected by the enclosure towards the front, producing more volume being directed towards the listeners. If constructed with the proper opening size, this design is detuned, but detuned does not necessarily mean this redirection takes place. It's simply a very good idea, and is the basis for having half the driver mounting holes left open in a regular speaker.
Many very detailed detuned designs have been attempted, some with adequate reasoning, others simply a matter of convenience or taste. The fact is the design requires little more than the rear opening area being larger than the driver area. I attempted to produce a minimal detuned design as a proof of concept test of this point. The “enclosure” consisted solely of a 12” plastic bowl, a 12” x 24” x 1/2” sheet of “expanded metal” steel grating, and appropriate fasteners and wiring. The driver was an 8” GRS “BOFU” clone.
[See picture 1]
The driver was attached to the grill,
[See pictures 2 and 3]
which was then suspended from a horizontal bar by hooks made of stiff wire.
[As in picture 5]
The back was left open to the air, outdoors, to minimize reflected sound affecting measurements.
A 1kHz sine wave tone was generated by computer and amplified to 1 watt (measured as 2.8 volts in parallel with the 8 ohm driver impedance). The volume of the sound produced was measured with a hand held SPL meter held 1 meter away from the center of the driver, on axis, integrated over the 30 second duration of the tone.
The driver is rated at 91 dB for this measure. The measurement on this driver and configuration was 93 dB. This is well in keeping with the fact that manufacturers often state parameters conservatively in case a particular piece does not perform as well as intended. I have obtained slightly higher than stated response from these drivers in other tests.
The driver/grill assembly was then attached to the lip of the bowl. The driver was positioned off-center to minimize resonance effects. The 8” driver has a frontal area of 50 square inches, and the bowl 113 square inches. The difference, 63 square inches for the “rear” opening is approximately 25% greater than the driver's area.
This assembly was then hung in the same manner as for the first test.
[See pictures 4 and 5]
The same signal at the same power level was tested in the same manner. The response of the system in this detuned,
forward facing output was 101 dB. Both theoretical and measured increases in response for detuning a given speaker is 3 to 6 dB. I speculate that this greater improvement, nearly double the volume, was due to the use of an approximately hemispherical reflector held in close proximity and nearly surrounding the driver from the mounting flange down. (Driver depth, flange to bottom of magnet = 3.875”; bowl depth 4.5”).
In any case, I believe this demonstration (NOT an experiment – there are important differences) supports the concept of detuned enclosures for greater SPL output from a given driver configuration. Also, not only is a minimal rear enclosure space adequate, it may be beneficial if configured to produce greater response.
Questions welcomed: [email protected]
Snide remarks go to: [email protected]
Dr. Dennis McClain PhD
“I am a scientist, but I don't play one on TV.”
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