H26 applies, no question.
I don't want to either choke or flood the motor. You have to have a design flow or stifle creativity. Necessity breeds invention.
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"stand mounts preferred but not required"
As in tophats for tripods?
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I've crossed the RS270p at 2.5k to a Peerless H26 tweeter. Crossing lower with a std dome should be easy,
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Originally posted by KEtheredge87 View PostMan... I need to seriously consider how I want to approach this. I have a pair of Satori WO24P-4s that need a use, so I could go high end tweeter. I also don't know what I can get away with by really pushing a tweeter too dang low for the fun of it, so I wouldn't want to super abuse a bunch of higher cost parts too... How should I consider a tweeter for this? Just distortion plots, lower Fs is best, something else?
A coworker of mine, who has had a long history in hifi, has been a recent fan of crossing over lower than recommended, but he compensates heavily in these designs by not driving them loud, and he generally tries to stay at least a bit above Fs. My interpretation of the competition, however, is that the ability to provide a non-quiet SPL will be judged favorably.
My current mix of trial tweeter are: Eton 28SD1, Kartesian TWT30, BlieSMa T34A-4, and the CSS LD22F (which I believe is a wavecore + faceplate)...there's some serious money in some of those tweeters if bought new, but eBay came to the rescue. Woofer-side: Visaton GF200, Peerless 830869, Dayton RS270P4A, a variant of the Eminence B102, and the Silver Flute w20rc38-04. My intent is to measure the tweeters for distortion and then Xmaxes (via ARTA with Baumer laser sensor).
I'm presently interpreting the faceplate rule as the tweeter's nominal/original manufacturer faceplate need to meet the dimensions (regardless if modified for the entry), but that a waveguide needs to only meet the faceplate requirement in it's final form. That is, that I can duplicate or modify the optional Kartesian TWT30 waveguide (TWT30_Horn) (which is non-compliant due to it's mounting pattern but not the guide surfaces) so long as the final entry meets the dimensional requirement....but I think this is probably at the edge of the rules.
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Man... I need to seriously consider how I want to approach this. I have a pair of Satori WO24P-4s that need a use, so I could go high end tweeter. I also don't know what I cna get away with by really pushing a tweeter too dang low for the fun of it, so I wouldn't want to super abuse a bunch of higher cost parts too... How should I consider a tweeter for this? Just distortion plots, lower Fs is best, something else?
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So the Dayton DC28F is 4.33 inches in diameter does Not qualify, but the truncated DC28FT would qualify by area?
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Yeah I had planned the tw030wa05. That combo is so good I may do it anyway outside the challenge. I thought about hiding it behind a baffle waveguide but the faceplate has an integrated chamber.
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I am fine with either 4-in square or 4 1/8 diameter that is fine.
Wolf
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