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"He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
"He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
Is it possible to get the mics I bought, calibrated?
AFAIK, calibration costs about $40.
A new Dayton mike (Behringer EMM-6) from PE with calibration costs $40.
I think I hear a difference - wow, it's amazing!" Ethan Winer: audio myths "As God is my witness I'll never be without a good pair of speakers!" Scarlett O'Hara
Where would I get it calibrated?
Can I have all 10 mics done for $40, or is it *gasp* $40 each?
Can I buy tools to calibrate myself, or is that expensive? $$
Where would I get it calibrated?
Can I have all 10 mics done for $40, or is it *gasp* $40 each?
Can I buy tools to calibrate myself, or is that expensive? $$
Thanks!
To calibrate a mic you minimally need a calibrated mic. Chicken/egg.
I got mine calibrated by Kim Girardin (PM me for email) in MN for $40 (including return shipment.) I'm not sure if he does volume discount, but the need for more than one calibrated mic is minimal.
To calibrate a mic you minimally need a calibrated mic. Chicken/egg.
I got mine calibrated by Kim Girardin (PM me for email) in MN for $40 (including return shipment.) I'm not sure if he does volume discount, but the need for more than one calibrated mic is minimal.
1. Make a measurement with a source (like a speaker) using the calibrated mic. This is the "reference" measurement.
2. Make a careful measurement of the position in space of the reference mic.
3. Remove the reference mic.
4. Place another mic at the exact same position in space and do the exact same measurement with the "unknown".
5. Subtract the response of the reference from the response of the unknown - this is the frequency response difference.
6. Add the FR difference to the calibrated microphone's reference calibration (supplied by the manufacturer or the place that calibrated it) to generate a new reference curve for the unknown mic.
Repeat for the rest of your mics.
By the way, this has nothing to do with distortion measurements. Distortion is always cited in reference to the fundamental, so minor deviations are inconsequential. The main reason to calibrate a mic is to make possible accurate frequency response measurements.
I just bought one from Cross Spectrum... but the calibration file is waaaay different from a FRD file, so I'm just using a normal mic right now :rolleyes:
I use ARTA (STEPS) to measure driver distortion. ARTA is available in a free demo version that lets you do everything. It's not the creme de la creme as far as distortion measurements go, but its pretty darn good.
You can do a quickie distortion by processing an impulse (similar to what you would do when obtaining frequency response) or you can use the STEPS companion program to measure up to 5th order (IIRC) distortion.
I just bought one from Cross Spectrum... but the calibration file is waaaay different from a FRD file, so I'm just using a normal mic right now :rolleyes:
I'll put some effort into it this weekend.
Open your .mic file in a text editor - you'll see that it is just a tabulation of frequency and deviation (deviation of the SPL from "flat" as measured by the mic). You can easily get this same info from FRD files by throwing away the phase information. The problem will be getting a sufficiently wide band source to get 20-20k (or wider) frequency response to compare to the reference. Might need to make multiple measurements in low and high parts of the spectrum.
1. Make a measurement with a source (like a speaker) using the calibrated mic. This is the "reference" measurement.
2. Make a careful measurement of the position in space of the reference mic.
3. Remove the reference mic.
4. Place another mic at the exact same position in space and do the exact same measurement with the "unknown".
5. Subtract the response of the reference from the response of the unknown - this is the frequency response difference.
6. Add the FR difference to the calibrated microphone's reference calibration (supplied by the manufacturer or the place that calibrated it) to generate a new reference curve for the unknown mic.
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